BGNM-Festival 2017: „Sonification“ (english)
von Florian
The Berlin Society of New Music presents the festival
Sonifikationen – klingende Datenströme
Sonifications – Audible Data Streams
Program:
FRIDAY, 27th OCTOBER 2017
7 pm
OPENING OF SOUNDINSTALLATIONS and Sound Vitrine
YoHa (UK) „Lungs ‐ Slave Labour“ (2005), Florian Dombois (CH) „Circum Pacific 5.1“ (2001), Julian Klein (D) „Brain Study“ (2004), Martin Hachmann (D) „Angst“ (2017), Terry Fox (1943‐2008) „Berlino“ (1988), Jutta Ravenna (D) „SesamSesam” (2017)
7.15 pm
Tomoko Mio (J), Embodiment of WLAN‐Traffic
3D‐Data‐Solo‐Dance‐Performance
7.30 pm
Opening of Soundbar with a sonification selection
8 pm
CONCERT AND PERFORMANCES
Premier of Open Call Works / Sonificationen from the Club‐/Experimental Scene e.g. internet cookies, astrophysical data, weather data, DNA‐data, resonance behaviour of atoms
Group Performance with public interaction Goldox/Guffond/Heissmeyer „From Cloud To Fog“, 2016
Hans Tammen (NYC) „Conflict of Interest“, Endangered Guitar, 2017 (Premier)
Live‐Electronic Performance
Alberto de Campo (D) „Navegar E Preciso“, 2006
Andrea Polli (NYC) „ Heat and the Heartbeat of the City“, 2004
Johannes Kreidler (D) „Charts Music“, 2009
ZKM‐Selection: Ricardo Climent (UK) „Oxidising the Spectrum“, 2004
Live‐Electronic Performance
/ / / BREAK / / /
Falk Morawitz (UK) „Spin Dynamics“ , 2016
Falk Morawitz (UK) „Nuclear Magnetic Resonance“, 2014
Åsa Stjerna (S) „Vom Himmel holen“, 2017
Live‐Electronic Performance
Jasmine Guffond with Jessica Ecomane „Listening Back“, 2017 (Premier)
Laptop‐Performance with Andrea Belfi und Jeremy Coubrough, Percussion
SATURDAY, 28th OCTOBER 2017
3 – 10 pm
SOUNDINSTALLATIONS and Sound Vitrine
YoHa (UK) „Lungs ‐ Slave Labour” (2005), Florian Dombois (CH) „Circum Pacific 5.1“ (2001), Julian Klein (D) „Brain Study“ (2004), Martin Hachmann (D) „Angst“ (2017), Terry Fox (1943‐2008) „Berlino“ (1988), Jutta Ravenna (D) „SesamSesam” (2017)
daily 3 – 10 pm
Soundbar with a sonification selection
3 pm
KLANG KUNST WISSEN – examples from the archive of Deutschlandfunk Kultur, Sendereihe Sonarisationen
Sonification as an interface of science and art. About the alternating influence of music, science and technology within the genesis of a work.
Performance KLIMA | ANLAGE of sound artist Werner Cee and Sukandar Kartadinata. Making climate change sensually perceptible. Current researchs results control an acoustic sculpture.
Participants: Werner Cee und Sukandar Kartadinata (D), Dr. Thomas Hermann (D), Prof. Alberto de Campo (D), Rodrigo Perez Garcia (D). Moderation: Marcus Gammel (D)
4.45 pm
Tomoko Mio, Embodiment of WLAN‐Traffic
3D‐Data‐Solo‐Dance‐Performance
5 ‐ 6.30 pm
PANEL 1
Sonification as extending compositional means: Sonifications‐Interfaces as Instrument?
Participants: Jasmine Guffond (AUS), Prof. Florian Dombois (CH), Marcus Schmickler (D), Åsa Stjerna (S), Prof. Volker Straebel (D). Moderation: Marcus Gammel (D)
8 pm
CONCERT WITH THE KAIROS QUARTET
Premier of Open Call works and own repertoire with sonifcations from the New Music Scene e.g. topografic Data of the Berlin Wall, Cello‐Vibrations, GPS‐Data
Iannis Xenakis (1922‐2001), st/4 – 1,080262 (1955‐62)
for String Quartet
Lula Romero „Dérive“ 2017, (Premier)
for String Quartet and Live Electronics in “Dérive” with GPS‐Data of the composer as flâneuse in public space
Luc Döbereiner, „Resolution“, 2017, (Premier)
for Cello, Transducer and Live‐Electronics
Knut Müller „Thorn“, 1996
for String Quartet
Martin Iddon „Mohl ip“, 2010
for String Quartet
/ / / BREAK / / /
Terry Fox, “Berlin Wall Scored for Sound”, (1980‐88)
interpreted and realized as an instrumental version for String Quartet by Arnold Dreyblatt, 2017
ZKM‐Selection: Marcus Schmickler „The Bonn Paternization“, 2009
SUNDAY, 29th OCTOBER 2017 (Attention! Wintertime)
3 – 10 pm
SOUNDINSTALLATIONS and Sound Vitrine
YoHa (UK) „Lungs ‐ Slave Labour” (2005), Florian Dombois (CH) „Circum Pacific 5.1“ (2001), Julian Klein (D) „Brain Study“ (2004), Martin Hachmann (D) „Angst“ (2017), Terry Fox (1943‐2008) „Berlino“ (1988), Jutta Ravenna (D) „SesamSesam” (2017)
4.45 pm
Tomoko Mio, Embodiment of WLAN‐Traffic
3D‐Data‐Solo‐Dance‐Performance
5 ‐ 7.30 pm
PANEL 2
Sonification versus Komposition
Teilnehmer: Lecture‐Performance: Hans Tammen (USA), Ricardo Climent (UK), Julian Klein mit Prof. Marc Bangert (Key‐Note, D), Prof. Stefan Weinzierl (D). Moderation: Prof. Michael Harenberg (CH)
8 pm
CONCERT with Musicians from Switzerland
Instrumental works with Sonification
Alvin Lucier „Copied Lines“, 2011
for Trombone and thirteen Strings: Roland Dahinden (CH) and the Ensemble Junge Streicher (Berlin)
Improvisation „free lines_one“, 2017
Roland Dahinden (Trombone), Hildegard Kleeb (Piano), Alexandre Babel (Drums)
Alvin Lucier „Panorama“, 1993
für Posaune und Klavier: Roland Dahinden (Posaune) , Hildegard Kleeb (Klavier)
/ / / BREAK / / /
Improvisation „free lines_two“, 2017
Roland Dahinden (Trombone), Hildegard Kleeb (Piano), Alexandre Babel (Schlagzeug)
Mio Chareteau „White Piece“, 2016
for grand piano prepared with 150 white paper cards, Hildegard Kleeb (Piano)
ZKM‐Selection: Ludger Brümmer „Spin“, 2014
LOCATIONS
Villa Elisabeth
Invalidenstraße 4a
10115 Berlin
Gallery Zwanzigquadratmeter Berlin
Petersburger Str. 73
10249 Berlin
Thursday, 26th October 2017, 6 pm
Opening external program
and
Friday ‐ Sunday 2 pm ‐ 6 pm
Mio Chareteau „White Piece“ (2016)
Soundinstallation
TICKETS
12 EUR / 10 EUR
PROGRAM BOOK
with USB‐Stick of Audio‐Catalogue
RESERVATIONS
T. 030 / 53 67 59 71 and ticket office
INFORMATIONES/ RESERVATIONS
http://audible-data-streams.com
IMPRESSUM
Artistic direction: Jutta Ravenna
Program book: Julia H. Schröder
Design: cyan
Press: k3 berlin – Kontor für Kultur und Kommunikation
Head of Production : Vilém Wagner
Organizer: Berliner Gesellschaft für Neue Musik
Sponsorship
The Festival is founded by Hauptstadtkulturfonds of the Berlin Senate.
In Cooperation with Kultur Büro Elisabeth / ZKM – Zentrum für Kunst und Medien Karlsruhe / Elektronisches Studio der TU Berlin / Master’s program Sound Studies at the UdK´s Berlin Career College / www.Sonifyer.org (Hochschule der Künste Bern) / Pro Helvetia – Schweizer Kulturstiftung / Galerie Zwanzigquadratmeter Berlin / Deutschlandfunk Kultur, Sendereihe Sonarisationen
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